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Investigating the Authenticity and Attribution of Paintings and Drawings believed to be by or Attributed to;

Henri-Edmond-Joseph Delacroix

(1856-1910)

AKA: Henri Edmond Cross Attelier stamp HEC

 French Painter, Watercolourist, Lithographer

  Henri Edmond Cross (born Henri Edmond Delacroix) was born on 20th May 1856 in Douai, a commune in the Nord département in northern France. In about 1876, he began studying law in Lille and simultaneously attended the art academy there. Two years on, he moved to Paris and devoted himself to painting in the studio of François Bonvin the realist artist. Henri Cross thereafter regularly exhibited at the Paris Salon. His early works were characterized by his use of dark, heavy colours, which became brighter under the influence of Claude Monet and Georges Seurat. In 1884, Cross founded the "Salon des Indépendants" together with Paul Signac and Georges Seurat.
 

 Around 1890, Henri Edmond Cross’ painting became distinguished by his use of the Neo-impressionist Pointillist style. His landscapes, nudes and portraits hold typically generous brush strokes and bright, clear colours. It is true to say that Henri Edmond Cross was one of the foremost representatives of French Pointillism. Worthy of note is that his later works show a significantly softer brush stroke.

 Today, virtually anything painted in the pointillist style of the artist, can try to be passed off as a legitimate work or study when a Henri Cross signature has been added to an otherwise anonymous work. An applied studio stamp, bearing the initials HEC of the artist, especially on works on paper can be convincing to the drawings and pastels of 'type' he produced. There are also contemporary copies of original works by him to identify and rule out as authentic.

 We are international fine art consultants, specializing in conducting full investigations into the authenticity of works of art created by artists in all categories, from all regions and historical eras, as well as scrutinizing their provenance. Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and attribution of old and modern master works of art. Including the works of Henri Edmond Cross  and his circle, or any paintings or works of art that you are unsure about.

Some example works of art appear below as illustrations. Note: No inference is made nor is it intended as to the question of their legitimacy. Moreover they are an across the board representational view of the differing types of works that are and may be offered and advertised for sale at auction internationally.

Henri-Edmond Cross - Route du Lavandou

versSaint-Clair signed ‘Henri Edmond Cross’

oil on canvas.

US $2,172,500.00

$75,533.00

(Attributed to) EDMOND HENRI CROSS VIEW OF CITY WITH RIVER pointillist school, pencil drawing and watercolour on paper

Estimate: €300 - €450  !

Henri Edmond Cross

Attributed, Pointillist landscape, Coastline with

shipsin the distance, oil on canvas laid down

on board

Estimate: €600 - €900

Fine Art Authentication

  Though both the duration and direction of any attribution or authenticity investigation will naturally vary from project to project, there are well defined responsibilities, areas of scrutiny and professional formalities that we can assist you with including:

Authentication:  Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, full and formally recognized certification of a work of art. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications.

 Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.

 Scrutiny:  Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution:  Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Valuations, quality and condition reports.

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

 Before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive elements. Treat it as your safety net.

 We will be happy to professionally undertake that study for you as a primary safety net, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT

We will respond to you promptly.

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez. Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT PAINTING DESCRIPTORS and TERMINOLOGY

 It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even stylized would be copies of his works which happen to bear a signature or monogram.

In this case Henri-Edmond-Joseph Delacroix

If Henri-Edmond-Joseph Delacroix or Henri Edmond Cross or Henry Cross, is given with the first name/s and surname of the artist, then in their opinion it is the genuine and authentic item, one painted by the artist himself.

But if Henri-Edmond-Joseph Delacroix; is described as “Attributed to Henri Cross….” Then in their opinion it is 'probably' a work by the artist, at least in part. But no guarantee. It's only an opinion.

Henri Edmond Cross; “Studio of ….” or “Workshop of” or "atelier"  Means in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or a pupil under the principal artists supervision.

But if the term Henri Edmond Cross “Circle of Henri Cross” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist BUT not necessarily by his pupil or student.

Henri Cross; In the “Style of ….” or “Follower of Henri Cross”  Means that in their opinion it is a work of art executed only in the artist’s style, but not necessarily by a pupil. But it may be contemporary, or nearly contemporary.

Henri Cross;in the “Manner of ….” In their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist.

Henri Cross; “After then ….” In their opinion it is a copy (made at any date) of an authentic and original work by the artist.

Henri Cross; “Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark indicates an element of doubt.

Henri Cross followed by the words; "With signature ….”, “With date ….” or “With inscription….” or “Bears signature Henri Cross/date/inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.

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