Claude Monet Expert international authentication investigation and research services, - Esperto en cuadros de Monet - Claude Monet painting investigations,Monet researchers, forensic art analysis, art fraud investigators

Monet Authenticity Investigators

Enquêteurs d'authentification Clade Monet

Investigadores de autentificación

Especialistas em autenticação de belas artes

محققو أصالة الفنون الجميلة

Эксперты по аутентификации
изобразительного искусства

艺术专家

Claude Monet art authentication

 

Monet Authenticity Investigators

Enquêteurs d'authentification Clade Monet

Investigadores de autentificación

Especialistas em autenticação de belas artes

محققو أصالة الفنون الجميلة

Эксперты по аутентификации
изобразительного искусства

艺术专家

Claude Monet photograph Giverny

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Enquêtes d'experts sur l'authenticité et la provenance de Claude Monet dessins et peintures

Investigación experta sobre la autenticidad y procedencia de dibujos y pinturas de Claude Monet

Especialista em investigação e pesquisa sobre a autenticidade e origem de desenhos e pinturas de Claude Monet

 

 

Investigating the Authenticity and Provenance of Drawings and Paintings by or Attributed to:

Oscar-Claude Monet

(14 November 1840 – 5 December 1926)

Founder of French Impressionist painting

 

 

 

 

  It is certainly unnecessary to reproduce a biography of Monets life here. Clearly he holds a prime and dominent position in the history of art.

Excepting to say that, he was a painter of hugely regarded influence and the key player in the French impressionist movement. Above that, he was and is an artist whose works are exceptionally valuable today.

  Recently discovered works of art that are actually painted by Monet himself are going to be extremely rare and seldom appear on the art market. Although he created untold thousands of works including paintings, sketches, studies and drawings. But not all were the huge, head turning world beaters, like those fully fledged masterpieces he created in his garden in Giverny in France, or the paintings of water lilies that we see in books and art galleries across the world. Monet also produced  many thousands of small paintings, sketches and studies, including landscapes, still life paintings, seascapes and even portraits and its true to say that he destroyed an untold number of those works which he considered unworthy.

 

 More likely to appear are works that are attributed to his hand, either rightly or wrongly and others from within his circle. But more usually, paintings by followers who were simply working in his impressionistic style and with this brings a risk.

 Is an attribution to his hand and the description of a work of art totally reliable and sound?

 It is very important to be able to distinguish between those works actually executed by an artist such as Claude Monet, compared to those 'claiming' to be by him. Then there are those that we are told are by him and there are three kinds of attribution;

Number one. The ultimate reliable one; One that is thoroughly academically researched and a scholarly attribution given:

Then number two; The poorly informed guesses.

And finally;

The deliberate attempt to deceive!

 Amongst these latter examples there are the inevitable paintings with added signatures, monograms or inscriptions and these are usually applied to otherwise anonymous works that are painted in a generally similar manner to Monet and devised to impress a potential purchaser. And this is by far the most common form of fraud we encounter.

 As an international specialist fine art consultancy, with bases also in the UK and Europe, we have been confidentially serving both private individuals and corporate clients around the world for over 47 years.
In so doing, we have investigated both single works of art and complete collections for client,s alongside conducting in-depth authentication and legitimacy investigations, as well as full academic and forensic investigations with multilingual archival research into the origins of all old and modern master works of art. From from different geographical regions and periods.

We also scrutinize, investigate and research the provenance and ownership lineage.

 We are able to assist and advise you in all fine art related matters, particularly issues of authenticity and attribution, including the works of Claude Maintained any other works of art that you are keen to learn about.

 Some various examples of works of art associated with Monet's name offered at auction appear below as illustrations.

 Note: No inference is made, nor is it intended, as to the question of authenticity here. Moreover these are an across the board representational view of the various differing types of works that are taken from within the public domain and or, may in the future be offered and advertised for sale at auction internationally.

 

 

     
Claude Monet -(1840-1926)  Dans la prairie
Signed and dated 'Claude Monet 76'
Oil on canvas  Painted in 1876
Sold GBP £11,241,250.00
Claude Monet (1840-1926)
Le Pont du chemin de fer à Argenteuil
Signed 'Claude Monet'  Oil on canvas
Painted in 1873
Sold USD $41,480,000.00
Claude Monet  (1840-1926) - Meule
Signed and dated 'Claude Monet 91'
Oil on canvasPainted in 1891
Sold USD $81,447,500.00
     
     
Claude Monet - (1840-1926)  Nymphéas
Signed and dated 'Claude Monet 1905'
Oil on canvas  Painted in 1905
Sold USD $43,762,500.00
Claude Monet (1840-1926)
ÉTRETAT, COUCHER DE SOLEIL
Stamped Claude Monet
Oil on canvas Painted in 1883
Sold USD $3,020,000.00
Claude Monet  - Iris jaunes au nuage rose
Stamped with signature 'Claude Monet' (Lugt 1819b; stamped again with signature 'Claude Monet' (Lugt 1819b; on the reverse)
Oil on canvas Painted in 1924-1925
Sold USD $5,765,000.00

     

Claude Monet 1840 - 1926
PORTRAIT D'ANDRÉ LAUVRAY
Signed Claude Monet and dated 1880.
Oil on canvas. Painted in 1880.

SOLD. $507,000 USD

CLAUDE MONET (1840-1926)
Maison au toit de chaume, Gainneville.

Pencil on pale blue wove paper, 1857. Signed,

datedand inscribed "Gainneville" in pencil, Ex-collection

Germain Seligman (Lugt 3863, private collection.

Estimate: $25,000 - $35,000

Claude Monet (1840-1926

Watercolor over Paper. Paper Signed right corner Claude Monet

Estimate: $13,000 - $15,000

 

 

     
     

Claude Monet (1840-1926) (Attributed*):

Still Life Study, c. 1867, signed Claude Monet Verso bears the faint inpression of the stamp of Collection Foret, Nice, France, and a reference number. Oil and tempera painting on bond paper. The painting is accompanied by a certificate from van Hassel Galleri, Rotterdam, Holland.

Estimate: $60,000 - $80,000

Attributed to Claude Monet
1840-1926 (French) Côte rocheuse, c.1900
oil on canvas signed lower right

Estimate: $6,000 - $8,000

Claude Monet (1840-1926) (Attributed): Study For Gare St. Lazare, tempera on paper, signed, verso marked Gallery Simon, Paris stamp and pencil-written reference number.  Estimate: $100,000 - $160,000

     

 

 

 

 

Claude Monet - Fine Art Authentication


 

  The duration and direction of any attribution or authenticity investigation of a modern master work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

 

  • Authentication: Authentification:   Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. By directing detailed and often complicated inquiries, with multilingual capability, full international academic research and any forensic applications that are required.

 

  •  Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.


  •  Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

  •  Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

  •  Attention: Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

  •  Appraisal: Évaluation - Valuations, quality and condition reports.

 

 

 

 

 

 

 

Step one in the Art Authentication Investigation Process

The Pre-Authentication Assessment

L'évaluation de pré-authentification.

La evaluación previa a la autenticación

 If you are seriously considering having any work of art authenticated, be it a work you believe may be by Monet, or any other you are concerned about, we strongly advise all prospective clients, that before you decide to move on with a full investigation of legitimacy, or seeking the identification and confirmation of an attribution to a particular artist, that a fully impartial, preliminary assessment of the viability of doing so is conducted by us first.

 It is a process that's much the same as a lawyer would address, assess and balance all the elements of a legal case and determine the prospects of its success, but well before he would present it in a court of law.

 This primary assessment is a comprehensive study and one made to address all of the positive aspects that would justify continuing with an in depth investigation, by setting them against any obvious issues there may be. problems that could impede or make any future investigation either unwise, unjustified, or impractical to undertake and a professional advisory service and one that we offer to all our clients.

 A preliminary assessment of viability can be initiated very effectively, based on the best quality images that you can supply yourself and the full details of work of art in question. These are sent along with the specific details of its original acquisition. We will also address all the known particulars of its history and provenance as is currently known, alongside examining any accompanying documentation, previous research or analysis that you may have had formerly conducted.

 Having chosen to take this sensible, very well tried and tested route, you should then have a far clearer and deeper understanding of the prospects of success in your case, as well as recognising any pitfalls that you may face.
Simply put, view this as your safety net before you move on.

 This is a totally logical and cost effective professional assessment for which there is a modest set fee and is covered extensively in our FAQ's

*Please see our FAQ section by clicking the link below which explains this preliminary assessment process in far greater detail

FAQ's

CONTACT US

We will respond to you promptly.

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaisse. Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 


 

 

 

 

ABOUT A WORK OF ART DESCRIPTOR AND ITS TERMINOLOGY

 

  *It is important to very clearly understand the auction terms that are used in any published descriptor and to be cautious of works that may just be created in the manner of the artist, or those which could be variants of works of art which bear a signature or monogram.

In this case as if they were defining the creations of the French artist Claude Monet (1840-1926)

 

  •  Where the name, Claude Monet (1840-1926) is given with the first name/s and surname of the artist, usually cited as Claude Monet (1840-1926), including his dates, then in their qualified and professional opinion they are in no doubt. It is a genuine and authentic item and one painted by the artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.
  •  When Attributed to Claude Monet (1840-1926) is used, or it is similarly defined as 'ascribed to' or 'Attrib. to ' [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion.
  •  But if the term Claude Monet (1840-1926) - circle of, or “Circle of Claude Monet (1840-1926)” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.
  •  When the name is given thus; Painted in the “Style of Claude Monet ” or “Follower of Claude Monet is used, this means that in their opinion it is a work of art executed only in the artist’s way, their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.
  •  If the phrase in the “Manner of Claude Monet (1840-1926) is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.
  •  When the term “After….Claude Monet "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.
  •  Signed - Claude Monet; “Dated….” or “Inscribed Claude Monet ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.
  •  When the term 'bears signature', is used or the name, Claude Monet is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Claude Monet /date/or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 


 

 

 

ART AUTHENTICATION EXPERTISE LINKS - LISTED BY ARTIST NATIONALITY

 

 

VOIR L'EXPERTISE EN AUTHENTIFICATION D'ART PAR L'ARTISTE

 
 

 

 

 

 

British Artist Authentication

         
ALLINGHAM Helen
AUERBACH Frank
BARKER Thomas of Bath
BELLANY John
BIRCH Lamorna S J
BREANSKI Alfred De Snr
BIRCH Lamorna S J
BOMBERG David
BOYS Shotter Thomas
BLINKS Thomas BONINGTON Richard Parkes
CADELL  Francis C.B.
CONSTABLE John CONDER Charles
DAVIE Alan
DICKSEE Sir Frank
FREUD Lucian
FOSTER Myles Birket
FROST Sir Terry FEDDON Mary
FLINT Sir William Russell
GAINSBOROUGH Thomas
GOUDIE Alexander
GUNN Sir Herbert James
HARDY Heywood
HARDY Thomas Bush
HUGHES Derrick
HOGARTH William
HUNT William Henry
KNIGHT Harold
La THANGUE Henry Herbert
LADELL Edward
LEWIS John Frederick LEE Frederick Richard
LEADER Benjamin Williams
LANYON Peter
LAWRENCE Sir Thomas
LOWRY Laurence Steven
MORLAND George
MOORE Albert Joseph
MUNNINGS Sir Alfred James
NASMYTH Alexande
NEVINSON C.R.W
KNELLER Sir Godfrey JOHN Augustus
GRIMSHAW Atkinson John
NASH John Northcote
OSBOURNE Walter F
ORPEN Sir Willaim
PARK John Anthony
PEPLOE Samuel John
KNIGHT Dame Laura
PHILIPSON Sir Robin
PHILPOT Glyn Warren
ROBERTS David
SANDBY Paul
SICKERT Walter Richard
SEAGO Edward Brian
SMITH Sir Matthew
STANNARD Eloise Harriet
STEER Philip Wilson
STUBBS George
SPENLOVE-SPENLOVE Frank
TADEMA Sir Lawrence Alma SPENCER Sir Stanley
ROSSETTI Dante Gabriel
WATTS George Frederic WEBSTER Walter Ernest
WILSON Richard RA

WILLS James Rev

WOOD Christopher "Kit"
GODWARD John William MILLAIS Sir John Everett
TAYLER Albert Chevallier
RAVILOUS Eric W STANHOPE John Roddam Spencer
LARKIN William
ETTY William BEALE Mary
JOHNSON Cornelius
DAWSON Montague
HERRING Sr John Frederic
HERRING Jnr John Frederic CARMICHAEL John Wilson
SCOTT William RA
SOMERSCALES Thomas Jacques
LUNY Thomas
REDPATH Anne WALLIS Alfred
GILPIN Sawrey
HUNT William Holman BLACKSHAW Basil  (Irish)
SEYMOUR James
EMMS John
SHEPHEARD David LEIGHTON Frederic Lord
MORGAN Frederick
HUGHES Edward Robert
JOHN Gwen
HARVEY Harold TUKE Henry Scott
LANGLEY Walter
ANSDELL Richard RA
NASH Paul ZOFFANY Johan
BRADLEY Helen FELL Sheila R.A.
MINTON John
HILLIER Tristam RA
BRATBY John RA
GRANT Duncan EARL Thomas
COLE George
WARD James R.A
BROWN Ford Madox RAMSAYAllan RA
BELL Vanessa
Charles Edward HALLE
STILLMAN Marie Spartali
Duncan CAMERON George Vicat COLE
Nicholas Matthew CONDY
Dodd PROCTER Tom MOSTYN
Joan GILLCHREST
WILLIAMSON William Henry
WILLIAMS Walter Heath
SCHAFER Henri  
KILPACK Sarah Louisa
   
         
         
         
 

French Artist Authentication

 
         
BOUVARD  - Family CEZANNE Paul
MONET Claude
PISSARRO Camille RENOIR Pierre
LEPAGE Jules Bastien
DUFY Raoul LEGER Fernand
COURBET Gustave DERAIN Andre
BLANCHE Jacques-Emile
TOULOUSE-LAUTREC Henri de DAUMIER Honore
FRAGONARD Jean Honore ROUAULT Georges
CHASSERIAU Théodore
GUIARD Adlaide Labille ROUSSEAU Theodore
Le BRUN Elisabeth Louise Vigee
MARTIN Henri GUILLAMIN Armand
CAMOIN Charles LHOTE André
LAURENCIN Marie
BONNARD Pierre METZINGER Jean
INGRES Jean-Auguste-Dominique
VLAMINCK  Maurice de MARQUET Albert
DELACROIX Eugene
PENA Díaz de la KISLING Moise
REDON Odilon
VALLAYER-COSTER Anne
LUCE Maximilien PICABIA Francis
ANQUETIN Louis
SEURAT Georges DELAUNAY Robert
LEBASQUE Henri VALTAT Louis
CORBUSIER Le ZADKINE Ossip
PILLEMENT Jean-Baptiste
SIGNAC Paul VERNET Claude Joseph
MIGNARD Pierre CHARDIN Jean Baptiste Simeon
BONHEUR Rosa
SISLEY Alfred GAUGUIN 2
CONSTANT Jean Joseph
DENIS Maurice
QUESNEL François GASCAR Henri
BRETON Jules
BERAUD Jean
CABANEL Alexandre
VOUET Simon LANDELLE Charles
DHURMER Lucien Lévy-
GLEIZES Albert DUFY Jean
TANGUY Yves
Sophie ANDERSON
JACQUE Charles-Emile MOILLON Louyse
MONVE LBernard Boutet de
DORE Gustave
F P SIMON - Baron Gerard
BONNAT Léon MANGUIN Henri
FORAIN Jean-Louis
BOUCHER François
VOLLON Antoine
RAFFAELI Jean-Francois
Pierre Eugène MONTEZIN
MOREAU Gustave
FOUJITA Léonard Tsuguharu  
Henri SCHAFFER
   

 

 

Dutch & Flemish Artist Authentication

         
APPEL Karel CORNEILLE Guillaume Beverloo
LELY Sir Peter
REMBRANDT van Rijn GOGH Vincent van
HALS Frans
KOEKKOEK Barend Cornelius GOSSART Jan
BLOEMAERT Abraham
KOONING Willem de ENSOR James
MARIS Matthijs SCHELFHOUT Andreas
WOUTERS Rik
VELDE Peter van de CALVAERT Denys
CLAUS Emile
SNYDERS Frans AELST Pieter Coecke van
SMET Leon de SPILLIAERT Leon
BABUREN Dirck van MIEREVELT Michiel Jansz. van
ROMBOUTS Theodor BRUEGHEL Pieter the Elder
GHEERAERTS Marcus the Younger
KNIPP Henriëtte Ronner
HULK Abraham Snr CUYP Aelbert
RUYSDAEL Salomon van
HULSDONCK Jacob van
HONTHORST Gerrit van
STEEN JAN MEYTENS Martin van (the Younger)
MIEL Jan
FLINCK Govaert
APOL Louis
VRANCX Sebastian HEEM Jan Davidsz. de
Herri met de BLES
Pieter De HOOCH
Adriaen Pietersz. van de VENNE SAFTLEVEN Herman
Peter CLAESZ
Jan MASSYS
Quentin MATSYS
         
         

Italian Artist Authentication

         
TINTORETTO Jacopo
BACHIACCA workshop
VINCI Leonardo da
CIARDI Guglielmo
VERROCCHIO Andrea del
GANDOLFI Gaetano
CAMPIGLI Massimo

TIEPOLO Giandomenico ZUCCARELLI Francesco
GIOTTO di Bondone
GIORDANO Luca BELLINI Gentile
COSIMO Piero di
CARRACCI Annibale
GUARDI Francesco
RENI Guido GENTILESCHI Orazio
FRANCESCHINI Marc Antonio BALLA Giacomo
ROSSELLI Matteo SELLAIO Jacopo del
DOMENICHINI Apollonio
Master Langmatt Foundation
RICCI Sebastiano
CAFFI Ippolito HAYEZ Francesco
GRAMMATICA Antiveduto
FATTORI Giovanni
MORBELLI Angelo DADDI Bernardo
ROSATI Guilio
BALESTRA Antonio
LIBERI Pietro
Nicolò BAMBINI        
 
 

Spanish Artist Authentication

         
PICASSO Pablo GRIS Juan
SAURA Antonio
MIRO Joan SOROLLA Joaquin
NONELL Isidre
VELAZQUEZ Diego RIBERA José de
ARELLANO Juan de
CASAS Ramón
SOLANA Jose
CAMARASA Hermenegildo A DE TORRES Julio Romero
BLANCHARD Maria
VARO Remedios
DOMINGUEZ Óscar
MADRAZO Raimundo de BORES Francisco
MIR Joaquin
RUSINOL Santiago
BERRUGUETE Pedro BARRERA Francisco  
         
         
 

German Artist Authentication

         
KIRCHNER Ernst Ludwig LIEBERMANN  Max
HOLBEIN Hans (Younger)
Molzahn Johannes SCHIELE Egon
DÜRER Albrecht
DEXEL Walter CORINTH Lovis
SCHWITTERS Kurt
NOLDE Emil MENZEL Adolph von
BECKMANN Max
OVERBECK Johann F FRIEDRICH Caspar David
GROSZ George
DIX Otto
ZOFFANY Johan SCHAD Christian
Paula Modersohn-BECKER
   
   
         

American  Artist Authentication

         
KLINE Franz REMINGTON  Frederic
NEEL Alice
POLLOCK Jackson CASSATT Mary
REDFIELD Edward Willis
HOPPER Edward TWOMBLY Cy
ROBINSON Theodore
JOHNS Jasper HARING Keith
LAWRENCE Jacob
FRANKENTHALER Helen ARCHIPENKO Alexander
WEBER Max
COPLEY John Singleton SAGE Kay
DU BOIS Guy Pène
WOOD Grant EAKINS Thomas
CHASE Wm Merritt
BRIDGMAN Frederick Arthur
BENSON Frank Weston
DIEBENKORN Richard STILL Clyfford
PEALE Charles Willson
BELLOWS George W
PARRISH Maxfield
MOSES Grandma PRENDERGAST Maurice Brazil
KENT Rockwell
CURRAN Charles Courtney
Willard LeRoy Metcalf
SPRAGUE-PEARCE Charles HENRI Robert
WIGGINS Guy Carleton
SHARP Joseph Henry
WEEKS Edwin Lord
FRIESEKE Frederick Carl TCHELITCHEW Pavel
GOTTLEIB Adolph
STEWART Julius LeBlanc
KNIGHT Daniel Ridgway David PARK
Phillip GUTSON
BURCHFIELD Charles E
HASSAM Frederick C
WEST Benjamin BIRCH Thomas
MORLEY Malcolm (Anglo Am)
AVERY Milton Clark
INNESS George
Lee KRASNER        
 
 

Canadian Artist Authentication

 
         
KREIGHOFF Cornelius HARRIS Lawren Stuart
LISMER Arthur JOHNSTON Frank (Franz)
BARKER Conyers THOMSON Tom
MORRICE James Wilson
MACDONALD J E H LEWIS Maud
CULLEN Maurice Galbraith
HOLGATE Edwin Headly PILOT Robert Wakeham
   
         
         
   

Latin American Artist Authentication

 
         
LAM Wilfredo  (Cuban) RODRIGUEZ Mariano (Cuban)
GARCIA Joaquín Torres (Uruguayan)
KAHLO Frida (Mexican) RIVERA Diego (Mexican)
OROZCO Jose (Mexican)
MARTÍNEZ Alfredo (Mexican)
CARREÑO Mario (Cuban)
DARIE Sandu (Cuban/ Rom) SOLDEVILLA Loló  (Cuban)
DR ALT - Gerardo Murillo Mex
PONCE de León Fidelio (Cuba)
TALMAYO Rufino ( Mex)
MIJARES Jose María (Cuba) MATTA Roberto (Chilean)
CARRINGTON Leonora (Mex)
RAHON Alice (Mex)
FINI Leonor (Arg)
PORTINARI Candido (Brazil) PETTORUTI Emilio (Arg)  
 
         
         
   
India Artist Authentication
   
       
         
HUSAIN Maqbool Fida SOUZA Francis Newton (Goa)
SHER-GIL Amrita
VARMA Raja Ravi
ROY Jamini GAITONDE Vasudeo S
RAZA Sayed Haider
MEHTA Tyeb KUMAR Ram      
         
         

China & Far Eastern Artist Authentication

         
Pan TIANSHU  潘天壽; Su Shi Dongpo 東坡
JOYA Jose T (Fillipino)
ANITA MAGSAYSAY-HO FOUJITA Leonard 藤田 嗣治
YOSHITOMO NARA (Japan)
 
 
         
         
 

Russian Artist Authentication

 
         
AIVAZOVSKY  Ivan BILIBIN Ivan
KLIUN Ivan
MALEVICH Kazimir
YUON Konstantin F
SOMOV Konstantin
GONCHAROVA Natalia BAKST Léon
MASHKOV Ilya
SEROV Valentin VENECIANOV Alexei
TCHELITCHEW Pavel ARKHIPOV Abram Efimovich  

         
   
   
 

Other Nationalities

         
WALDE Alfons (Austrian)
STERN Irma (South African)
BRAUNER Victor (Romanian) BRANCUSI Constantin (Romanian)
DAHL Michael (Swedish)
RUSSELL John Peter (Australian)
ERNST Rudolf (Austrian)
HODLER Ferdinand (Swiss)
McCUBBIN Frederick (Australian)
DAHL Johan Christian (Norway)) SCHJERFBECK Helene (Finland)
Bahman MOHASSES (Iran)
VOLANAKIS Konstantinos (Gr)
Tom ROBERTS (Australian) EDELFELT Albert (Fin)
FISCHER Paul (Danish)
Peder Severin KROYER (Denmk)
BRACK C John (Austr)
Philip Alexius de LASZLO (Hung) WHITELEY Brett (Australian)      

 

 

 

 

 

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Claude Monet Authentication Experts | Authenticating the art, oil paintings, drawings, landscapes, portraits of Monet | Forensic art analysis, identification of fake works and art fraud investigations    Expert de l'oeuvrede Monet

Claude Monet Authentication Experts, Investigations and Identification of fake Monet works of art and Monet Forgeries.
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