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Edouard Cortes art authentication

 

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Conducting International Authentication & Attribution Investigations into art believed to be by Edouard Cortes

Edouard Leon Cortes

(French  - 1882-1969)

Cortes self portrait

 

 The relatively modern French artist Edouard Cortès taught by his father, the Spanish painter Antonio Cortes.

The child prodigy we know as Edouard Cortes, attended the Ecole des Beaux-Arts in Paris and at only 19 years of age back in 1901, had his first exhibition of paintings at the Salon des Artistes Francais in Paris to much admiration and great acclaim.

But he is not necessarily an artist you would readily imagine is being faked internationally, but sadly, you would be quite wrong. Edouard Cortes however must count today as one of the most copied and faked artists of the past decade.

 His delightfully enigmatic post impressionist paintings of suburban and Parisian city life, painted showing the city in all weathers, both nocturnal and seasonal, are fine depictions of Paris life and extremely popular. Thus they are well received throughout the world and unlike many French artists, Edouard Cortes paintings are still relatively affordable for the art investor and the market values are still definitely on the rise, astonishingly so.

Unfortunately, Cortes' style is not that unique and has been and still is relatively easily emulated. Remember, the easiest thing for a faker to do, be he artist or just an unscrupulous art dealer, is to simply add a valuable name, like Cortes or Galien-Laloue, Luigi Loir, or Jean Beraud's name to a pre-existing Parisian painting. Any work of art which vaguely resembles their own works and he is on his way.

 Another artist, Antoine Blanchard (1910-1988 also French) was very similar to Cortes in style and subject matter. So be cautious, as his works are less valuable than Cortes, that is until a Cortes signature suddenly appears on one of his!

 I remember the time when good quality legitimate Cortes works fetched only around 500 to 600 Euros apiece at auction and they were plentiful. After all, he was a very prolific painter and must have produced hundreds and hundreds of Paris street scene in his career. But suddenly the prices of his art started to rise and with that ever rising tide, up shot the values. But at the same time, up popped the fakers turning out new ones in profusion.

 Disturbingly, we are seeing an increasingly large number of fake Edouard Cortes works of art, often complete with an historical provenance linking them to what was formerly seen to be a respectable fine art dealership in California, USA. These are arriving quite regularly for us to investigate their authenticity, but years on since their original acquisition, having travelled through time via some very well respected American department stores indeed.

But Cortes was not only faked in California it seems. Many other similarly questionable works of art signed simply 'Cortes' were likely passed on as his by his own art dealers. So caution is advised if you are offered one, or if you own one without knowing its true history and provenance, or if you are about or intend to invest in one.

 

* * *

 We are international fine art consultants and investigators with bases in North America and the UK, specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, from all regions and historical eras. Scrutinize and track provenance and have been confidentially serving and advising both private individuals and corporate clients from around the world for over 45 years.

 We can assist and advise you in all fine art related matters, particularly issues of authenticity and the attribution of any old or modern master works of art, including the works of Edouard Cortes, his studio, or followers, or any works of art that you are unsure about.

Some example works of art appear below as illustrations. Note: No inference is made nor is it intended as to the question of their legitimacy. Moreover they are an across the board representational view of the differing types of works that are and may be offered and advertised for sale at auction internationally.

 

     
Edouard-Léon Cortès
PLACE DE LA RÉPUBLIQUE
Signed Edouard Cortès and dated 1905
Oil on canvas
Estimate USD 20,000.00 — 40,000.00
Sold USD $86,500.00
Edouard-Léon Cortès
Avenue de l'Opera après la pluie
Signed 'EDOUARD CORTÈS' (lower right)
Oil on canvas
Estimate USD 20,000.00 - 30,000.00
Sold USD $50,000.00
Edouard-Léon Cortès
LE THEATRE DU CHATELET, LE SOIR
Signed Edouard Cortes
Oil on canvas
Estimate USD 18,000.00 — 25,000.00
Sold USD $43,750.00
     
     
EDOUARD LEON CORTES
Notre-Dame vue de la place Saint-Michel
Signed 'Edouard Cortès' (en bas à gauche)
Oil on canvas
Sold EURO 34,600.00
Edouard-Léon Cortès
LE TREPORT, EFFET DU SOIR
Signed Ed. Cortes (lower left)
Oil on canvas
Sold USD $31,250.00
Edouard-Léon Cortès
Passants à Paris un soir de pluie
Signed 'EDOUARD CORTÈS'  Oil on board
Estimate GBP £8,000.00 - £12,000.00
Sold GBP £37,500.00
     
     
Attributed to Edouard Leon Cortes
Notre Dame Bears signature Edouard Cortes (ll); inscribed as titled and numbered no. 10 on the stretcher; Numbered 1835 on a label affixed to the stretcher  Oil on canvas
Estimate USD 1,500.00 - 2,500.00
Sold USD $21,250.00
Attributed to Edouard Léon Cortès
Untitled (Parisian flower market)
Oil on board
Signed “Ed. Cortès” to lower right
Sold USD $7,255.00
Manner of Edouard Leon Cortes
Place Vendome Bears signature Edouard Cortes (lr)
Oil on canvas
Estimate USD 1,500.00 - 2,500.00
Sold USD $8,750.00
     

 

 

 

 

Fine Art Authentication

 

 

 The duration and the direction of any authenticity investigation or an attribution of a work of art will inevitably vary from project to project. But there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with, including:

 

  • Authentication: Authentification:   Conducting comprehensive investigations and in depth research into a work of art with a view to establishing a correct, complete and formally recognized certification. One absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. Directing detailed and complicated inquiries, with multilingual capability, including any international academic research and forensic applications that are required.

 

  •  Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 

  •  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

  •  Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

  •  Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

  •  Attention: Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 

  •  Appraisal: Évaluation - Valuations and condition reports.

 

 

 

 

Edouard Cortes : Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

 

    Before you begin any authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive. You should treat this study as a safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and indeed the possible pitfalls that could lie ahead.

See our FAQ's for details of the process

 

CONTACT

We will respond to you promptly.

 

 

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

 

 

 Spanish flag Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

 

 

 

ABOUT A WORK OF ART DESCRIPTOR AND ITS TERMINOLOGY

 

 

  *It is important to very clearly understand the auction terms that are used in any published descriptor and to be cautious of works that may just be created in the manner of the artist, or those which could be variants of the artists works of art that bear a signature or monogram. In this case as if they were defining the creations of the French artist Edouard Léon Cortès (1882 - 1969).

 

  •  Where the name, Edouard Léon Cortès (1882 - 1969) is given with the first name/s and surname of the artist, usually cited as Edouard Léon Cortès (1882 - 1969), including his dates, then in their qualified and professional opinion they are in no doubt. It is a genuine and authentic item and one painted by that artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by the appropriate and internationally recognized expert authority on the artist.
  •  When Attributed to Edouard Léon Cortès (1882 - 1969) is used, or it is similarly defined as 'ascribed to' or 'Attrib. to ' [abbreviated,] or Attribué à, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion.
  •  But if the term Edouard Cortes - circle of, or “Circle of Edouard Cortes ” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil or student.
  •  When the name is given thus; Painted in the “Style of Edouard Cortes ” or “Follower of Edouard Cortes is used, this means that in their opinion it is a work of art executed only in the artist’s way, their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.
  •  If the phrase in the “Manner of Edouard Cortes is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.
  •  When the term “After….Edouard Cortes "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.
  •  Signed - Edouard Cortes ; “Dated….” or “Inscribed Edouard Cortes ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.
  •  When the term 'bears signature', is used or the name, Edouard Cortes is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Edouard Cortes /date/or inscription” Then in 'their opinion,' either the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

 

We can assist and advise you in all fine art related matters.

 

 

 

ART AUTHENTICATION EXPERTISE LINKS - LISTED BY ARTIST NATIONALITY

 

VOIR L'EXPERTISE EN AUTHENTIFICATION D'ART PAR L'ARTISTE

 

 

 

 

British Artist Authentication

         
ALLINGHAM Helen
AUERBACH Frank
BARKER Thomas of Bath
BELLANY John
BIRCH Lamorna S J
BREANSKI Alfred De Snr
BIRCH Lamorna S J
BOMBERG David
BOYS Shotter Thomas
BLINKS Thomas BONINGTON Richard Parkes
CADELL  Francis C.B.
CONSTABLE John CONDER Charles
DAVIE Alan
DICKSEE Sir Frank
FREUD Lucian
FOSTER Myles Birket
FROST Sir Terry FEDDON Mary
FLINT Sir William Russell
GAINSBOROUGH Thomas
GOUDIE Alexander
HARDY Heywood
HARDY Thomas Bush
HOGARTH William
HUNT William Henry
KNIGHT Harold
LADELL Edward
LEWIS John Frederick LEE Frederick Richard
LEADER Benjamin Williams
LANYON Peter
LAWRENCE Sir Thomas
LOWRY Laurence Steven
MORLAND George
MOORE Albert Joseph
MUNNINGS Sir Alfred James
NASMYTH Alexande
NEVINSON C.R.W
KNELLER Sir Godfrey JOHN Augustus
GRIMSHAW Atkinson John
OSBOURNE Walter F
ORPEN Sir Willaim
PARK John Anthony
PEPLOE Samuel John
KNIGHT Dame Laura
PHILIPSON Sir Robin
PHILPOT Glyn Warren
ROBERTS David
SANDBY Paul
SICKERT Walter Richard
SEAGO Edward Brian
SMITH Sir Matthew
STANNARD Eloise Harriet
STEER Philip Wilson
STUBBS George
SPENLOVE-SPENLOVE Frank
TADEMA Sir Lawrence Alma SPENCER Sir Stanley
ROSSETTI Dante Gabriel
WATTS George Frederic WEBSTER Walter Ernest
WILSON Richard RA

WILLS James Rev

GODWARD John William MILLAIS Sir John Everett
TAYLER Albert Chevallier
RAVILOUS Eric W STANHOPE John Roddam Spencer
LARKIN William
ETTY William BEALE Mary
JOHNSON Cornelius
DAWSON Montague
HERRING Sr John Frederic
HERRING Jnr John Frederic CARMICHAEL John Wilson
SCOTT William RA
SOMERSCALES Thomas Jacques
LUNY Thomas
REDPATH Anne WALLIS Alfred
GILPIN Sawrey
HUNT William Holman BLACKSHAW Basil  (Irish)
SEYMOUR James
EMMS John
Shepherd David LEIGHTON Frederic Lord
MORGAN Frederick
Edward Robert HUGHES
Gwen JOHN
Harold HARVEY Henry Scott TUKE
Walter LANGLEY
Richard ANSDELL RA
Thomas FAED
Paul NASH ZOFFANY Johan
William McTAGGART
Algernon NEWTON
Helen BRADLEY Sheila FELL R.A.
John MINTON
Tristam HILLIER RA
John BRATBY RA
Duncan GRANT Thomas EARL
George COLE
John Robert COZENS
James WARD R.A
         
         
         
 

French Artist Authentication

 
         
BOUVARD  - Family CEZANNE Paul
MONET Claude
PISSARRO Camille RENOIR Pierre
LEPAGE Jules Bastien
DUFY Raoul LEGER Fernand
COURBET Gustave DERAIN Andre
BLANCHE Jacques-Emile
TOULOUSE-LAUTREC Henri de DAUMIER Honore
FRAGONARD Jean Honore ROUAULT Georges
CHASSERIAU Théodore
GUIARD Adlaide Labille ROUSSEAU Theodore
Le BRUN Elisabeth Louise Vigee
MARTIN Henri GUILLAMIN Armand
CAMOIN Charles LHOTE André
LAURENCIN Marie
BONNARD Pierre METZINGER Jean
INGRES Jean-Auguste-Dominique
VLAMINCK  Maurice de MARQUET Albert
DELACROIX Eugene
PENA Díaz de la KISLING Moise
REDON Odilon
VALLAYER-COSTER Anne
LUCE Maximilien PICABIA Francis
ANQUETIN Louis
SEURAT Georges DELAUNAY Robert
LEBASQUE Henri VALTAT Louis
CORBUSIER Le ZADKINE Ossip
PILLEMENT Jean-Baptiste
SIGNAC Paul VERNET Claude Joseph
MIGNARD Pierre CHARDIN Jean Baptiste Simeon
BONHEUR Rosa
SISLEY Alfred GAUGUIN 2
CONSTANT Jean Joseph
DENIS Maurice
QUESNEL François GASCAR Henri
BRETON Jules
BERAUD Jean
CABANEL Alexandre
VOUET Simon LANDELLE Charles
Lucien Lévy-DHURMER
GLEIZES Albert DUFY Jean
TANGUY Yves
Maurice de la TOUR
Sophie ANDERSON
Charles-Emile JACQUE Louyse MOILLON
Bernard Boutet de MONVEL
Gustave DORE
F P SIMON - Baron Gerard
Léon BONNAT Henri MANGUIN
Jean-Louis FORAIN
Edgard (Edgar) MAXENCE
François BOUCHER
         
 
 

Dutch & Flemish Artist Authentication

         
APPEL Karel CORNEILLE Guillaume Beverloo
LELY Sir Peter
REMBRANDT van Rijn GOGH Vincent van
HALS Frans
KOEKKOEK Barend Cornelius GOSSART Jan
BLOEMAERT Abraham
KOONING Willem de ENSOR James
MARIS Matthijs SCHELFHOUT Andreas
WOUTERS Rik
VELDE Peter van de CALVAERT Denys
CLAUS Emile
SNYDERS Frans AELST Pieter Coecke van
SMET Leon de SPILLIAERT Leon
BABUREN Dirck van MIEREVELT Michiel Jansz. van
ROMBOUTS Theodor BRUEGHEL Pieter the Elder
GHEERAERTS Marcus the Younger
KNIPP Henriëtte Ronner
HULK Abraham Snr CUYP Aelbert
RUYSDAEL Salomon van
HULSDONCK Jacob van
HONTHORST Gerrit van
STEEN JAN MEYTENS Martin van (the Younger)
MIEL Jan
FLINCK Govaert
APOL Louis
VRANCX Sebastian HEEM Jan Davidsz. de
Herri met de BLES
Pieter De HOOCH
Adriaen Pietersz. van de VENNE SAFTLEVEN Herman
Peter CLAESZ
Jan MASSYS
Quentin MATSYS
Roelandt SAVERY Jacob van WALSCAPELLE
Jacob Isaacksz. van RUISDAEL
Willem Bastiaan THOLEN
Meindert HOBBEMA
Cornelis van POELENBURG Gerard ter BORCH
David TENIERS II
Hendrick AVERCAMP
Pieter Jansz. SAENREDAM Eglon van der NEER
Pieter CODDE
Eugene VERBOECKHOVEN
Adam De COSTER
Jan SLUIJTERS  
   
         
         
         

Italian Artist Authentication

       
TINTORETTO Jacopo
BACHIACCA workshop
VINCI Leonardo da
CIARDI Guglielmo
VERROCCHIO Andrea del
GANDOLFI Gaetano
CAMPIGLI Massimo

TIEPOLO Giandomenico ZUCCARELLI Francesco
GIOTTO di Bondone
GIORDANO Luca BELLINI Gentile
COSIMO Piero di
CARRACCI Annibale
GUARDI Francesco
RENI Guido DOLCI Carlo
FRANCESCHINI Marc Antonio BALLA Giacomo
ROSSELLI Matteo SELLAIO Jacopo del
DOMENICHINI Apollonio
Master Langmatt Foundation
RICCI Sebastiano
CAFFI Ippolito HAYEZ Francesco
GRAMMATICA Antiveduto
FATTORI Giovanni
MORBELLI Angelo DADDI Bernardo
ROSATI Guilio
BALESTRA Antonio
LIBERI Pietro
Nicolò BAMBINI Lorenzo LOTTO
Giorgio MORANDI
Telemaco SIGNORINI
GENTILESCHI Orazio
Bernardino LUINI Vittorio Matteo CORCOS
Carlo CARRA
   
         
 
 

Spanish Artist Authentication

         
PICASSO Pablo GRIS Juan
SAURA Antonio
MIRO Joan SOROLLA Joaquin
NONELL Isidre
VELAZQUEZ Diego RIBERA José de
ARELLANO Juan de
CASAS Ramón
SOLANA Jose
CAMARASA Hermenegildo A DE TORRES Julio Romero
BLANCHARD Maria
VARO Remedios
DOMINGUEZ Óscar
MADRAZO Raimundo de BORES Francisco
MIR Joaquin
RUSINOL Santiago
BERRUGUETE Pedro BARRERA Francisco
Antoni CLAVE (Catalan)
Juan de Valdés LEAL
El GRECO
بابلو بيكاسو،        
         
 

German Artist Authentication

         
KIRCHNER Ernst Ludwig LIEBERMANN  Max
HOLBEIN Hans (Younger)
Molzahn Johannes SCHIELE Egon
DÜRER Albrecht
DEXEL Walter CORINTH Lovis
SCHWITTERS Kurt
NOLDE Emil MENZEL Adolph von
BECKMANN Max
OVERBECK Johann F FRIEDRICH Caspar David
GROSZ George
DIX Otto
Ludwig MEIDNER SCHAD Christian
Paula Modersohn-BECKER
Marianne von WEREFKIN
Karl HOFER
Erich HECKEL Edouard  F W  RICHTER
   
         
         

American  Artist Authentication

         
KLINE Franz REMINGTON  Frederic
NEEL Alice
POLLOCK Jackson CASSATT Mary
REDFIELD Edward Willis
HOPPER Edward TWOMBLY Cy
ROBINSON Theodore
JOHNS Jasper HARING Keith
LAWRENCE Jacob
FRANKENTHALER Helen ARCHIPENKO Alexander
WEBER Max
COPLEY John Singleton SAGE Kay
DU BOIS Guy Pène
WOOD Grant EAKINS Thomas
CHASE Wm Merritt
BRIDGMAN Frederick Arthur
BENSON Frank Weston
DIEBENKORN Richard STILL Clyfford
PEALE Charles Willson
BELLOWS George W
PARRISH Maxfield
MOSES Grandma PRENDERGAST Maurice Brazil
KENT Rockwell
CURRAN Charles Courtney
Willard LeRoy Metcalf
SPRAGUE-PEARCE Charles HENRI Robert
WIGGINS Guy Carleton
SHARP Joseph Henry
WEEKS Edwin Lord
FRIESEKE Frederick Carl TCHELITCHEW Pavel
GOTTLEIB Adolph
STEWART Julius LeBlanc
KNIGHT Daniel Ridgway David PARK
Phillip GUSTON
BURCHFIELD Charles E
HASSAM Frederick C
WEST Benjamin BIRCH Thomas
MORLEY Malcolm (Anglo Am)
AVERY Milton Clark
INNESS George
Lee KRASNER Ernest LAWSON
Albert BIERSTADT
Joseph Christian LEYENDECKER
Edward HICKS
Joseph STELLA Marsden HARTLEY
Edward Henry POTTHAST
David JOHNSON
Henry Ossawa TANNER
         
         
 
 

Canadian Artist Authentication

 
         
KREIGHOFF Cornelius HARRIS Lawren Stuart
LISMER Arthur JOHNSTON Frank (Franz)
BARKER Conyers THOMSON Tom
MORRICE James Wilson
MACDONALD J E H LEWIS Maud
CULLEN Maurice Galbraith
HOLGATE Edwin Headly PILOT Robert Wakeham
   
         
         
   

Latin American Artist Authentication

 
         
LAM Wilfredo  (Cuban) RODRIGUEZ Mariano (Cuban)
GARCIA Joaquín Torres (Uruguayan)
KAHLO Frida (Mexican) RIVERA Diego (Mexican)
OROZCO Jose (Mexican)
MARTÍNEZ Alfredo (Mexican)
CARREÑO Mario (Cuban)
DARIE Sandu (Cuban/ Rom) SOLDEVILLA Loló  (Cuban)
DR ALT - Gerardo Murillo (MEX)
PONCE de León Fidelio (Cuba)
TALMAYO Rufino ( Mex)
MIJARES Jose María (Cuba) MATTA Roberto (Chilean)
CARRINGTON Leonora (Mex)
RAHON Alice (Mex)
FINI Leonor (Arg)
PORTINARI Candido (Brazil) PETTORUTI Emilio (Arg)
Miguel CABRERA (Mexican)
Armando REVERON  (Venz)
   
   
         
         
         
   
India Artist Authentication
   
       
         
HUSAIN Maqbool Fida SOUZA Francis Newton (Goa)
SHER-GIL Amrita
VARMA Raja Ravi
ROY Jamini GAITONDE Vasudeo S
RAZA Sayed Haider
MEHTA Tyeb      
KUMAR Ram
         
         

China & Far Eastern Artist Authentication

         
Pan TIANSHU  潘天壽; Su Shi Dongpo 東坡
JOYA Jose T (Fillipino)
ANITA MAGSAYSAY-HO FOUJITA Leonard 藤田 嗣治
YOSHITOMO NARA (Japan)
 
 
         
         
 

Russian Artist Authentication

 
         
AIVAZOVSKY  Ivan BILIBIN Ivan
KLIUN Ivan
MALEVICH Kazimir
YUON Konstantin F
SOMOV Konstantin
GONCHAROVA Natalia BAKST Léon
MASHKOV Ilya
SEROV Valentin VENECIANOV Alexei
TCHELITCHEW Pavel ARKHIPOV Abram Efimovich
Isaac Ilich LEVITAN
Ivan Ivanovich SHISHKIN
Vladimir Egorovich MAKOVSKY
   
Viktor VASNETSOV
   
         
         
   
   
 

Other Nationalities

         
WALDE Alfons (Austrian)
STERN Irma (South African)
BRAUNER Victor (Romanian) BRANCUSI Constantin (Romanian)
DAHL Michael (Swedish)
RUSSELL John Peter (Australian)
ERNST Rudolf (Austrian)
HODLER Ferdinand (Swiss)
McCUBBIN Frederick (Australian)
DAHL Johan Christian (Norway) SCHJERFBECK Helene (Finland)
Bahman MOHASSES (Iran)
VOLANAKIS Konstantinos (Gr)
Tom ROBERTS (Australian) EDELFELT Albert (Fin)
FISCHER Paul (Danish)
Peder Severin KROYER (Denmk)
BRACK C John (Austr)
Philip Alexius de LASZLO (Hung) WHITELEY Brett (Australian)
Frits Thaulow (Norg)
Arthur BOYD (Australian)
Albert Tucker (Australian)
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Edouard Cortès Art Authententication & painting authentification experts, | Art fraud detection, forensic art analysis, forgery and fake detection | Freemanart Consultancy, Labs and offices USA, UK ,Canada, Europe and North America

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Expert de l'oeuvrede Cortes