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Investigating the Authenticity of Paintings and Drawings believed to be by or Attributed to;

Paul Sérusier

French Painter, Post-Impressionism, Les Nabis, Abstract Symbolism
Born: November 9, 1864 Died: October 7, 1927

  Born in Paris, Paul Sérusier studied at the Académie Julian, the alternative art school to the elite and conservative École des Beaux-Arts. During his period of training, he visited the well established artist colony in Pont-Aven, Brittany, where he met a group of Symbolists. Working closely with his friends, Paul Gauguin, Maurice Denis, Pierre Bonnard, and Édouard Vuillard, Sérusier used bold colours and flattened forms to illustrate his thoughts on the canvas. Seeking liberation from the boundaries of classical painting and the recent Impressionist movement, Sérusier became a pioneer of Post-Impressionism, eventually founding the group Les Nabis, named after the Hebrew word for "prophet."

As the leader of the Nabis, Sérusier sought to paint what he felt as well as what he saw.

 Often poorly emulated, though easily confused with Gauguin, due to the increasing values of his painting, he is often faked. But there may just be works that were either lost, mislaid, or have been with families for eons that have never surfaced, that have not yet been documented. But today. But it has to be said, some that do appear of the open market are misattributed, either mistakenly or deliberately and the latter application is all too frequent.

 Simply by the inclusion of a copied signature placed on a work of art of a similar type, style, or subject matter to his own paintings, or one applied to a previously unsigned or lesser work, even a student of the arts emulated piece, (where an original signature has been deleted,) it is no wonder that question marks can and do so often arise about the authenticity of some Paul Sérusier paintings.

 We are international fine art consultants, specializing in conducting full investigations into the authenticity of works of art created by artists in all categories, all regions and from historical eras, alongside scrutinizing their provenance. Confidentially serving both private individuals and corporate clients from around the world for over 45 years, we can assist and advise you in all fine art related matters, particularly issues of authenticity, legitimacy and the attribution of old and modern master works of art. Including the fine works of Paul Sérusier, his circle, or any paintings or works of art that you are unsure about.

Some examples of Paul Sérusier ' works signed with that name, appear below.

Paul Serusier (1863-1927) Les deux lavandières

au bord de la cascade, The two washerwomen

at the edge of the waterfall oil on canvas

US$1,325,000.00

Paul SERUSIER Madame Sérusier à l'ombrelle - 1912 Huile sur panneau parqueté Hauteur.

Madame Sérusier with the umbrella - 1912

Oil on parquet panel. Estimate: €4,000 - €5,000  US$16,899.00

Paul Sérusier Three Seated Women Chalk on

beige paper, signed 'P. Sérusier' lower right.

Estimate: $3,000 - $5,000 Sold $1,700

Fine Art Authentication

  Both the duration and direction of any attribution or authenticity investigation will always vary from project to project, but there are clear and well defined professional formalities, responsibilities and areas of scrutiny that we can assist you with including:

Authentication: Authentification: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, full and formally recognized certification of a work of art. One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist.

Directing detailed and complicated inquiries with multilingual, international academic research and any forensic applications that are required.

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its own accuracy.

 Scrutiny: Examen minutieux:Identifying fake works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previous incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are , or may be considering litigating or prosecuting the fact. This includes legal professionals and private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Évaluation - Valuations, quality and condition reports.

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

    Sensibly, before you begin any art authenticity, legitimacy, or any artist attribution investigation, it is more than wise to have an impartial preliminary assessment of the viability of the project conducted first. Made to independently and rationally balance any negative issues there may be against the positive elements. Treat this study as your safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT

We will respond to you promptly.

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT PAINTING DESCRIPTORS AND TERMINOLOGY

  It is important to understand the auction terms used in any published descriptor and to be cautious of works that may just be painted in the style or manner of the artist, or even the stylized - or would be copies of his works which happen to bear a signature or monogram. In this case Paul Sérusier (1863-1927).

 Where the name Paul Sérusier (1863-1927) given with the first name/s and surname of the artist, then in their professional opinion it is the genuine and authentic item, one painted by the artist himself, aka Paul Sérusier (1863-1927).

 But if the name Paul Sérusier (1863-1927); is described as “Attributed to Paul Sérusier (1863-1927), then in their opinion it is 'probably' a work by the artist, at least in part. But there is no guarantee. It's only an opinion.

 When Paul Sérusier; “Studio of ….” or “Workshop of Paul Sérusier "atelier" is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or even a pupil under the principal artists supervision.

 But if the term Paul Sérusier, “Circle of Paul Sérusier ” is used, then in their opinion, it is a work of the period of the artist and showing his influence, or closely associated with the artist, BUT not necessarily by his pupil or student.

 When the name Paul Sérusier ; or Painted in the “Style of ….” or “Follower of Paul Sérusier is used, this means that in their opinion it is a work of art executed only in the artist’s 'style', but not necessarily by a pupil. But it may be contemporary, or nearly contemporary of the artist.

 If the phrase in the “Manner of Paul Sérusier , is used….” Then in their opinion it's a work painted in the style of the artist but of a later date and definitely not by the artist himself.

 When the term “After….” Paul Sérusier x; is used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original..

 Paul Sérusier ; “Signed…”, “Dated….” or “Inscribed” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark however, indicates a strong element of doubt.

 When the term Paul Sérusier is used followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature Paul Sérusier /date/inscription” Then in their opinion, the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.

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