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EXPERTS INVESTIGATEURS INTERNATIONAUX EN AUTHENTICITÉ DES BEAUX-ARTS - ARTISTES ATTRIBUTION LEGITIMACY CONSULTATIONS

Investigating the Authenticity of Paintings and works of art believed to be by or Attributed to

Eloise Harriet Stannard

(1829–1915)

British

Norwich still-life painter

   Eloise Harriet Stannard became an exceptionally prominent painter of fruit and flower still life subjects in the Victorian era. Following on in the rather predictable footsteps of her very famous artist aunt, Emily Stannard, who was considered to be the finest British female still life artist of the nineteenth century.

 Eloise came from a distinguished dynasty of Norfolk artists. One of fourteen, she was the daughter of Alfred Stannard one of the better painters of the Norfolk landscape and the sister of Alfred George Stannard, who were both successful exhibiting painters of the Norwich school, the first provincial art movement in Britain. Eloises' paintings are still sometimes confused with those of Emily, who painted meticulous fruit and flower pieces in a traditional Dutch style.

Unable to paint landscapes due to a heart ailment that kept her indoors, Eloise naturally took to the more easily accessible subjects and was known to borrow all her ornaments and props from families local to her.

 Of her paintings, near all are oils and are characteristically luminous, to a tee, meticulously painted, highly detailed with sparkling colours and appearing as if her arrangement were set in bright sunlight. They verge upon the extravagant, are sumptuous and exotic.

 Widely acclaimed she sold well and unlike so many other female artists of her time, was so successful that she never had to take in students to teach drawing and painting to.

 Her painting career nearly came to an end however at the death of her mother and herself only in her twenties, when she inherited the responsibility of a large family and could not produce as much work as she had, though she continued to paint until late in life, remaining a spinster.

 During her life, Eloise Stannard exhibited still-lives at the Royal Academy, the British Institution and the Royal Society of British Artists

 Adding a signature to a painting either by deletion of a previous one, or the addition of one to a previously unsigned work, is a common place fraud and clearly any attempt at such imitation is clearly a form of criminal deception.

Today, paintings are deliberately faked, or more commonly, they can be misrepresented or simply misattributed to a particular hand. That of course can be either be a mistake or intentional and have been effected at any time in the present or the past.

  It must be said, that some of the Eloise Harriet Stannard works that have and do surface in the future will need consideration and investigation to be absolutely certain of both their legitimacy and that a previously given attribution, or the provenance and history associated with it is sound. Or that any description is correct and can truly be relied upon.

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 We are international fine art consultants, authenticity investigators specialising in conducting full investigations into the authenticity of works of art created by artists in all categories, in all regions and from historical eras. We fully scrutinize and track provenance,

confidentially serving both private individuals and corporate clients from around the world for over 45 years.

We can assist and advise you in all fine art related matters, particularly issues of authentication, legitimacy and the attribution of old and modern master works of art. Including the fine works of Eloise Harriet Stannard, her circle and followers, or any paintings or works of art that you are unsure about.

 Some examples of works signed with that name appear below.  No inference or question is made as to their authenticity, moreover they are a cross the board representational view of the types of works offered for sale at auction internationally, some of which will need to be understood and sometimes specifically need to be fully qualified and authenticated.

Manner of Eloise Harriet Stannard

Still Life with Peaches
Estimate: USD 300.00 - USD 500.00
Sold USD $125.00

Eloise Harriet Stannard

ART AND AUTHENTICITY:

  Both the duration and direction of any attribution or investigation into the authenticity of a work of art will inevitably vary from project to project, but there are clear and very well defined professional formalities, responsibilities and areas of scrutiny that we can formally assist you with including:

Authentication: Conducting and directing comprehensive investigations and in depth research, with a view to establishing a correct, complete and formally recognized certification of a work of art.

One that is absolutely upheld by the appropriate, legally acknowledged and internationally sanctioned authority, body or expert on that given artist. By directing detailed and often complicated inquiries, with multilingual capability, full international academic research and any forensic applications that are required.

 Attribution:  Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently doubted.

 Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and legitimacy.

 Scrutiny: Examen minutieux:Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given incorrect attributions.

 Prosecution: Poursuite: Investigating alleged art fraud and forgery and assisting and advising those who are currently , or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.

 Attention:  Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating a well balanced future family distribution.

 Appraisal: Évaluation - Valuations, quality and condition reports.

Step one in the Art Authentication and Attribution process.

Eloise Harriet Stannard

The Pre-Authentication Assessment

    Before you begin any art authenticity, legitimacy, or artist attribution investigation, it is wise to have an impartial preliminary assessment of the viability of the project conducted first. One made to independently and rationally balance any negative issues there may be against the positive elements. You should treat this study as your initial safety net.

 We will be happy to professionally undertake this for you, based upon good quality images that you supply and all the known facts regarding its acquisition, the history and provenance of the work of art as is known to you.

You will then have a far better understanding of the prospects and pitfalls that could lie ahead.

See our FAQ's for details of the process

CONTACT US

We will respond to you promptly.

  Avant d'entreprendre une enquête sur l'authenticité d'une œuvre d'art ou l'attribution d'un artiste, il est plus que prudent de procéder à une évaluation impartiale de sa faisabilité. Ceci est fait pour équilibrer indépendamment tous les problèmes négatifs qui peuvent exister contre le positif.

Nous serons heureux d'entreprendre cette étude d'une manière professionnelle pour vous que nous considérons comme votre principal filet de sécurité.
Il sera basé sur les images que vous fournissez et tous les faits connus concernant votre acquisition, son passé et la provenance de l'œuvre telle que vous la connaissez.
Vous aurez alors une meilleure compréhension des perspectives et des difficultés éventuelles à venir, avant de prendre une décision.

  Antes de embarcarse en cualquier investigación de autenticidad artística o atribución de artista, es más que prudente realizar primero una evaluación imparcial de su viabilidad. Esto se hace para equilibrar independientemente cualquier problema negativo que pueda haber contra el positivo.

Nos complace emprender profesionalmente ese estudio para usted, que consideramos su red de seguridad. Se basará en las imágenes que usted suministre y todos los hechos conocidos con respecto a su adquisición, historia pasada y procedencia del trabajo tal como lo conoce.

Entonces tendrá una mejor comprensión.

ABOUT PAINTING DESCRIPTORS AND AUCTION TERMINOLOGY

Eloise Harriet Stannard

  It is important to clearly understand auction terms that are used in any published descriptor, in order to be cautious of works that may just be painted in the manner of an artist, or even the stylized - would be copies of her works which bear a signature or monogram.

In this case if they were defining the paintings and drawings of the British artist Eloise Harriet Stannard:

 Where the name, Eloise Harriet Stannard is given with the first name/s and surname of the artist, usually cited as Eloise Harriet Stannard, then in their qualified and professional opinion they are in no doubt, it is the genuine and authentic item, one painted by the artist herself.

 When Attributed to Eloise Harriet Stannard, or it is similarly written or used as ascribed to or Attrib, [abbreviated,] or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion.

 When Eloise Harriet Stannard; with the term “School of, or Studio of ….” or “Workshop of Eloise Harriet Stannard" or atelier of Eloise Harriet Stannard " is used, this means that in their opinion it is a work executed in the studio of the artist. Possibly by an apprentice or a pupil under the principal artists supervision and guidance.

 But if the term Eloise Harriet Stannard circle of, or “Circle of Eloise Harriet Stannard” is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence, or someone closely associated with the artist, BUT not necessarily by a pupil or student.

 When the name is given thus; Painted in the “Style of Eloise Harriet Stannard ” or “Follower of Eloise Harriet Stannard is used, this means that in their opinion it is a work of art executed only in the artist’s way, her 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.

 If the phrase in the “Manner of Eloise Harriet Stannard is used or is defined….” then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist herself.

 When the term “After….Eloise Harriet Stannard "; is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist, or another artist/ printmaker.

 Signed - Eloise Harriet Stannard ; “Dated….” or “Inscribed Eloise Harriet Stannard ” Then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.

 When the term 'bears signature', is used or the name, Eloise Harriet Stannard is specified followed by the words; "With signature ….”, or “With date ….” or “With inscription….” or “Bears signature of Eloise Harriet Stannard /date/or inscription” Then in 'their opinion,' the signature / date / or inscription is spurious, forged or has been added by someone else other than the artist.

We can assist and advise you in all fine art related matters.

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