Fine Art Authentication Investigations

 
Enquêteurs d'authentification

Investigadores de autentificación

تحقيقات الفنون الجميلة المشروعة

Ermittler der Kunstauthentifizierung

Conducting Specialist Investigations into Confirming the Authenticity or Attributions of Works of Art believed to be by:

INDAGARE AUTENTICITÀ E ATTRIBUZIONI DELL'ART -  ENQUÊTE SUR L'AUTHENTICITÉ ET LES ATTRIBUTIONS DE L'ART

Alessandro Bonvicino, called Moretto da Brescia  & his Workshop

Italian

(Brescia circa 1498 - 1554)

 Influenced heavily by Titian and other Venecian contemporaries, there is little known about Alessandro Bonvicino's life. But as can be seen from the examples set out below, his paintings can fetch very high prices at auction, some well exceeding their auction estimates.  So there is always a need to be cautious and scrutinise with a view to confirming both the legitimacy of any painting claiming to be by an artist and equally, understanding fully any descriptors that are given in relation to it if offered for sale.  Identifying any historically incorrect attributions that may have been previously given is vitally important as they may need to be fully investigated and clarified.

 Unfortunately there are some artist attributions and descriptions that are deliberately falsified to deceive potential buyers. So any formal attribution should also be examined very carefully indeed. If only to verify that the quality, level of academicism and the accuracy of that assignment to that particular artist is well established and rightfully ascribed.

Confirming that it is specifically accurate, correctly researched and a credible academic attribution is essential and it should always be kept in mind, that any attribution, no matter at what level of credibility or status it comes from, is still only an opinion that the work 'might' be by that artist. 

It's a matter of your personal interpretation, discretion and judgement as to how you view and indeed, respect it.

 To help understand the generally observed and well accepted semantics that are used in auction descriptions, they are set out further down this page. They define exactly what the 'expert' view of the work being offered is and they can also have a distinct bearing on the financial outcome. So be cautious that you don't miss the often well 'disguised' attribution. One that is carefully placed or even hidden somewhere in that descriptor which starts off by stating that it actually is BY the artist.

***

 We are able to assist and advise you in all fine art related matters, particularly issues relating to the investigation of the legitimacy and attributions of Italian Old master art, including the works of Moretto da Brescia and any other works of art that you need assistance or advice with.

 Some examples associated with this name appear below simply as comparative illustrations.

*No inference is made, nor is it intended as to the question of their legitimacy here on this page. Moreover they are an across the board, representational view of the differing types of works of art that have, are, or may in the future be offered and advertised for sale at auction internationally in the public domain that you may need specialist advise on.

   The direction and subsequently the duration of any authenticity investigation or inquiry into verifying an attribution of a work of art to agiven artist, will inevitably vary from project to project. But there are clear and very well defined expert professional formalities, responsibilities and areas of scrutiny that we can formally assist you with. Including:

• Authentication: Authentification, Authenticity:   Conducting comprehensive investigations and in depth research into a work of art with a view to establishing a correct, complete and formally recognized certification of legitimacy. One that's absolutely upheld by the appropriate, legally and internationally sanctioned authority, body or internationally acknowledged expert on that artist. Directing detailed and complicated inquiries, with multilingual capacity, including any international academic research and forensic applications that are required.
  

•  Attribution: Identifying and confirming the identity of a previously anonymous artist, studio or workshop from which a work of art most likely originated. Including the re-examination and investigation of a previous attribution which may be incorrect, or the scrutiny of an attribution that has been formally questioned or is currently formally doubted.
  

•  Confirmation:  Undertaking research and investigations into the legitimacy of the provenance, history and prior ownership of a work of art and establishing its accuracy and own legitimacy.
  
  

•  Scrutiny: Examen minutieux:  Identifying fake or faux works of art and forgeries, including any false supportive accompanying documentation and determining works of art which may be studio or later copies, or previously given, incorrect attributions.
  
  

•  Prosecution: Poursuite:  Investigating alleged art fraud and forgery and assisting and advising those who are currently, or may be considering litigating or prosecuting the fact. This includes colleagues who are legal professionals and individual private clients.
  
  

•  Attention: Conducting all fine art related due diligence and duty of care inquiries. Including safe prepurchase or sale related audits and assisting clients in consolidating well balanced future family distribution.

•  Appraisal: Évaluation -  Valuations and condition reports.

Step one in the Art Authentication and Attribution process.

The Pre-Authentication Assessment

 We strongly advise all clients before they embark on a full investigation into the legitimacy of art, or an artist or studio attribution inquiry, that it is very wise to engage us to undertake an impartial preliminary assessment of viability conducted first. One that is made to balance any issues that may be present that could make the longer term exercise unviable.

 This is a professional advisory service we provide and based upon the images you supply, the full details of work of arts acquisition, its history and provenance as is known to you, along with sight of any documentation, previous research or analysis that you may formerly have had conducted on it. You should then have a far better understanding of both the prospects that lie ahead, or any pitfalls we might face, before making a decision.

This is a logical and cost effective professional review and advisory for which there is a modest set fee.

Our FAQ section covers this in more detail.

<FAQS>

CONTACT US

CONTACTEZ NOUS

We will respond to you promptly.

* ABOUT A WORK OF ARTS DESCRIPTOR AND ITS TERMINOLOGY *

As if in this case as if they were defining the works of the artist;  

Alessandro Bonvicino, called Moretto da Brescia - Italian (Brescia circa 1498 - 1554)

  *It is very important to clearly understand the general auction terms that are widely used in a published descriptor and to be cautious of works that may just be created in the 'manner of' the artist, or those which could be variants of the artists works of art that 'bear an applied signature' or monogram.

•  Where the name, Alessandro Bonvicino, called Moretto da Brescia ( c1498 - 1554) is given with the first name/s and surname of the artist, usually cited as, Alessandro Bonvicino, called Moretto da Brescia ( c1498 - 1554) - including the dates to be specific, then in their qualified and professional opinion, they are in no doubt, it is a genuine and authentic item. One painted by that specific artist. This is usually fully qualified by its inclusion in any catalogue raissone, or by the guarantee of the opinion given by appropriate and internationally recognized expert authority on that artist.

•  When Alessandro Bonvicino, called Moretto da Brescia ( c1498 - 1554) is the term used, or it is similarly defined as Attrib. to ' [abbreviated,] or Attribue, imputer à, imputée, or atribudo, or ascribed to, then in their opinion it is 'probably' a work by the artist, at least in part. But... there is no guarantee. It is only an opinion that it only 'possibly' may be by the artist.

•  But if the term Alessandro Bonvicino, called Moretto da Brescia ( c1498 - 1554) - circle of, entourage, or "Circle of "Moretto da Brescia is specifically used, then in their opinion, it is a work only of the period of the artist, but showing their influence. Or by someone closely associated with the artist, BUT not necessarily by their pupil, assistant or student.

•  When the name is given thus; Painted in the "Style of or "Follower of Alessandro Bonvicino, called Moretto da Brescia ( c1498 - 1554) is used, this means that in their opinion it is a work of art executed only in the artist's way, in their 'style', but not necessarily by a pupil. Yet it may be a contemporary, or nearly a contemporary of the artist.

•  If the phrase in the "Manner of Moretto da Brescia is used or is defined.." then in their opinion it is also only a work painted in the style of the artist, but of a later date and definitely not by the artist as named.

•  When the term "After Moretto da Brescia " is the term used, then in their opinion it is a copy (made at any date) of an authentic and original work by the artist. This also applies to prints made 'after' an original work of art either by the artist or another artist/ printmaker.

•  Signed -Moretto da Brescia ; "Dated.." or "Inscribed Moretto da Brescia " then in their opinion the work has been signed/dated/or inscribed by that specific artist. The addition of a question mark ? however, indicates a strong element of doubt.

•  When the term 'Bears signature', is used, or the name, Moretto da Brescia is specified followed by the words; "With signature ..", or "With date .." or "With ......inscription.." or "Bears signature of Moretto da Brescia / date / or inscription" Then in 'their opinion,' either the signature / date / or inscription is spurious, apocryphal, of doubtful authenticity, forged and has been added by someone else other than the artist.
  

We can assist and advise you in all fine art related matters.

ART AUTHENTICATION EXPERTISE LINKS - LISTED BY ARTIST NATIONALITY

VOIR L'EXPERTISE EN AUTHENTIFICATION D'ART PAR L'ARTISTE

British Artist Authentication

WILLS James Rev

Marie Spartali STILLMAN

Sophie ANDERSON

Jacob van WALSCAPELLE

Pieter Jansz. SAENREDAM

Luis Ricardo FALERO

LIENS D'AUTHENTIFICATION D'ART PAR GENRE

OLD  MASTER  ART

Art Ancien

Authentification d'art européen

ALTARPIECE &  PANEL  PAINTINGS

Retable et peintures de panneaux

IMPRESSIONIST   &  MODERN  ART

Art impressionniste et moderne

BRITISH  ART   AUTHENTICATION

Authentification d'art britannique

FRENCH  ART   AUTHENTICATION

Authentification d'art français

SCOTTISH  ART

Authentification de l'art écossais

Art hollandais et flamand

JUDAICA- JEWISH ART

Judaica - Authentification de l'art juif

IRISH ART AUTHENTICATION

Authentification d'art irlandais

AMERICAN ART AUTHENTICATION

Authentification d'art américain

RUSSIAN ART AUTHENTICATION

Authentification d'art russe

SPANISH ART

Authentification d'art espagnol

CUBAN ART

Authentification d'art cubain

Authentification d'art canadien

HUNGARIAN ART

Authentification d'art hongrois

NORDIC - SCANDINAVIAN ART

Art nordique et scandinave

ISRAELI  ART

Authentification d'art israélien

ITALIAN ART AUTHENTICATION

Authentification d'art italien

CORNISH ART

INTERNATIONAL PORTRAITURE

TERMES ET CONDITIONS

CURRENT INVESTIGATIONS

ENQUÊTES ACTUELLES

LISTE DES CLIENTS D'ENTREPRISE

REGIONS